This exciting addition to the range of tools gives you the power to create fun animations for your text — with a single click. The presets include glitches, fly-ins, slides, spins and more. Without the script, to create a text animation graphic in After Effects, you may spend hours manually adjusting countless keyframes and meticulously modifying their speed, opacity, motion blur and many other parameters.
This script puts an end to the suffering, doing all of the work for you within seconds! To give you even more control, our script creates a Null object that contains adjustable parameters, so you can tweak your design to perfection even after generation.
Choose Animation — This opens up the range of presets that you can choose from. Eye Icon — Generate a preview that helps you see what the animation looks like. These are also accessible through the Null object that is generated with the preset.
This is particularly useful for the glitch and turbulent effects, but can come in handy for any of them. Play with it, and come up with your own custom creations. After you have your Chromatic Aberration effect looking the way you want, jump back in to your main composition to see how everything looks. You can always go back and make adjustments later. This script will give you the control of your puppet pin points you have been missing out on.
Just install it in your After Effects — Scripts folder and launch! Just select the layer with your puppet pin points, launch the script, and hit Generate Parent Nulls. It was based off of a tutorial by Wren Weichman. If your Fire, Smoke or other VFX Element is pre-keyed, you will need a solid matte for the script to function smoothly.
Create a new solid and drop it beneath your VFX element. Because this script uses the puppet tool, we recommend drawing a mask around your solid, making sure the VFX Element stays within the bounds of your mask.
Navigate back to your main composition so you are no longer in your precomp. This will create a null with 2 points, Top and Bottom. Move those points to their respective top and bottom of the solid you have masked out. Enter the number of Nulls you would like to create. The smoother you want your reaction curve, the higher the number of Nulls. We do not recommend more than 7 for any purpose. Ignore the Wide Elements button.
Then enter the amount of Wind, Wind Turbulence, and Delay you would like. You can always adjust these settings later when the Control Null is generated. Select your precomp with the VFX Element and solid. Find your Puppet Pin tool. You need to put one pin for every Null you generated. Place the Pins approximately at the top left of each null.
Note: Ignore the Endpoint Selector Null, which is usually in the center and Red, when placing your pin points.
You may see the image shift as the puppet pin points jump to the null points, but if you were close with your puppet pin point placement, the shift should be minimal. There will be a Source null created.
The Source Null controls all the movement. If you are tracking to an object or person, you will want to parent your source null to that position. If you push any of these settings too far, the effect tends to degrade. Our goal is always to provide quality assets and simplify complex processes in video and filmmaking. The TypeCrate script accomplishes both. This script is only available to Pro Users. You will need to download bundled type kits and extract the.
RAR archive for the script to function. Pro users can download the script Here.
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